Showing posts with label Life. Show all posts
Showing posts with label Life. Show all posts

Thursday, October 4, 2007

Plastic Appendages





Last night was a chance to catch the second episodes of NBC's The Bionic Woman and Life.



I was willing to give Bionic Woman the benefit of the doubt and thought my good friend the Admiral was being a little harsh in his review of the pilot episode last week.



I hoped that the second episode would improve as much of the exposition had been done with.





The following contains spoilers.


What a crock of dross.

The episode opens with the funeral of the ex-Eastender's boyfriend, which is kind of out of the blue in some ways but either a) this is a nice turn from the usual injury that is easily survived or b) a painfully uninteresting surprise to be revealed later in the series.

Jaime Sommers (Michelle Ryan) has responded by getting hammered at a bar (apparently the nanotech doesn't cure poisons) and dives on the nearest bloke that smiles on her and breaks his rib amidst some clumsy fumbling in the bathroom. The tryst is interrupted by Jonas Bledsoe (the woefully wasted and patently bored senseless Miguel Ferrer) her shadowy benefactor who explains to her what his company does.






"We're a private clandestine group dedicated to stopping rogue organisations from ending civilisation as we know it, to put it simply we save the world."

Did Miguel Ferrer read that line and think "Hmm do I play it with a rushed "Someone Shoot Me Now" glance or a "Just think about the money" sneer?

This episode strives so hard to be cool and smart and does it through so many cliches it is staggering. Anyone can write better lines than some of those perpetrated in here, and I'm including those advertising hacks who write for local second hand car dealerships.

Our Bionic Lass discovers that her supposedly dead boyfriend had a dossier on her stretching back 2 years before they met. She finds it not by use of her Bionic Bits (tm) but by noticing a loose floorboard that she'd somehow managed to always miss before, even though it is an obvious health and safety hazard and would normally have one of those bright yellow plastic signs sitting next to it.

The Bionic Cockney (c) has to go into school as her little sister has been smoking the reefer but she manages to talk her out of trouble so she can still do the talent show that week.

I thank watching Moonlight last week that I didn't black out halfway through this subplot, it girded my brain for such zombifying mediocrity.

Jaime meets up with never before seen friends so they can congratulate themselves on being successful and thereby making our hero question whether she should be doing more with her life.

Jaime tries to figure out where she's going with her life by reading a self-help book in a bookstore and it just so happens bigot-of-the-month Isaiah Washington arrives and offers such philosophical gems as:

"Whatever doesn't kill you, makes you stronger," and "Maybe you just need to find out uh what Jaime Sommers has to offer the world, that's all."

Dr. Phil take notes as this fellow is out to save the world, one badly conceived character at a time. As he walked into shot I thought about how he got another job since his escapades in Grey's Anatomy and also if we weren't intentionally supposed to automatically assume we would be seeing him as part of the shadowy organisation very quickly. They couldn't have seriously thought this was a set up to a twist could they?

Jaime walks out of a coffee house and spots a woman about to jump off a roof next door and saves her. That may seem like a random event mainly due to it being ridiculous.

The main plot is introduced after an apparent biological weapon has been used in a small town, killing a number of people and Manly Woman (played by Molly Price who surprisingly wasn't in Spandau Ballet) thinks she should investigate as it may be a test run for something bigger.



The Bookstore Homophobe shockingly turns out to be working for Jaime's new company as she signs up to save the world and heads out with Manly Woman (a butch Eddie Izzard) to solve the mystery.

Thanks to the power of her bionic ear, Jaime hears a survivor noone found for some unexplained reason and who is immune to the toxin for another unexplained reason and is important for another unexplained reason. She does however explain that it was odd that a gas truck spent all morning driving around town in a circle. Elementary my dear Watson!

Then the evil mercenaries appear in the middle of their own biological hotzone for some other unexplained reason except that it is time for our pasty-faced heroine to bionically kick some arse!

She goes toe to toe with a Blackwater reject and basically gets smacked around and squeals until she lands a bionic right hand on his chin. And then he gets back up, which kind of undermines her status as a devastating powerhouse. Fortunately the fight is therefore prolongued so a stunt double can round house kick a tin of paint into the mercenary's head.

They then run away (without the diabolical special effect) and Bigot's Eye for the Queer Guy turns up all dressed in black with some friends (who wear balaclavas so they can deny working with Isiaiah Washington) and saves Manly Woman and Bionic Woman.

It turns out Manly Woman was right and this is just a test run (because you only really know if a lethal airborn toxin works for sure when it has been tried in a suburb) and the bad guys want to ship over 20 trucks to cities across the country that night.

Shipping them at the same time as the test run to make it more difficult to stop them would have just used up too many quarters on toll roads. Or something.

Miguel Ferrer turns up dressed in black and yawning like he is wearing pajamas with other ninja soldiers who then stop the bad guys with one flashbang and stern voices.

Jaime stands around pondering her new life while doing nothing (maybe her batteries were low) but is sure she has done the right thing and goes off to see her equally pale sister at the talent contest where warm smiles and a sudden realisation that I had lost an hour of my life occur.

Why on this increasingly polluted Earth would you get past the pilot episode and then spend most of the next episode adding more exposition? Did blurry running really cost that much to do in the pilot?

Plot twists are signposted with the cunning subtlety of a nuclear explosion, actors get to sound like they want their Mommy now when delivering utterly shocking dialogue and Michelle Ryan might be getting a hankering for jellied eels about now.

A scrotum-shrivellingly bad episode.

But worry not, Life is here and after getting the exposition-fest over in the pilot episode we get to see Damian Lewis acting up a storm and the best procedural police drama in years.








Or we get to see Damian Lewis hoping the writing gets as good as the pitch meeting and yet another bloody Scooby Doo mystery.


A bride is murdered on her wedding day, the groom is outside the hotel near the pool drinking tequila and mumbling incoherently covered in blood.

So I guess it'll be the deputy from Veronica Mars who walks in and out of shot in the first 10 minutes who murdered the bride for very little reason then.

50 minutes of supposed misdirection later and Old Man Guy From Veronica Mars pulls off his mask and states "I would've gotten away with it too if it wasn't for you pesky-ginger-Zen-Detective-types".

Life is an example of a good idea that falls apart when written by lazy hacks who stick to regurgitated scripts while praying to whatever God despises them that the audience is too stupid to notice.

Then I slept fitfully and had nightmares about Lost being this bad when it returns.


On the bright side Smallville is on tonight and Moonlight tomorrow.



I swear it is all a conspiracy to make Heroes seem watchable.










Sunday, September 16, 2007

Life



As the mighty Admiral Neck and charismatic Canyon have already stated, there are a lot of new shows about to debut in the Autumn season here in the US of A.


One of them is a show called "Life" in which a cop is wrongly convicted for murder and spends 12 brutal years in prison before being exonerated, receiving a huge amount of cash and being reinstated and promoted to Detective as part of the settlement.


When I first heard of this series I was wondering if it would be a basic procedural with a Prison Break conspiracy arc, which frankly didn't grab me.


Then the prospect of two copper-headed investigative heroes in TV arose as Damian Lewis plays the lead role of Charlie Crews. Lewis was utterly brilliant in Band of Brothers and I've been hypnotised to forget Dreamcatchers, so when I got to watch an advance preview of his new series I was quite hopeful.


The first episode is packed with all the exposition that a TV executive requires and the first case for Crews and his beautiful, tough but troubled partner Dani Reese (played by Sarah Shahi, former NFL cheerleader and The L Word alumni), revolves around the murder of a child.


Crews' Zen philosophy that kept him mostly intact in prison serves to set him apart in the real world as he approaches things from an alternative perspective. Predictably this brings him into conflict with his new partner who herself is trying to put her career back on track after drug issues, hence being lumbered with the partner nobody wants.


We are also introduced to Ted Earley, an ex-con who served time for some creative accounting who was saved by Crews while inside and now handles the Zen Detective's cash. Earley is played by Adam Arkin which is another reason I'm cutting Life some slack.

As the episode progresses the audience is shown that Crews isn't just different because of a paperback book on Zen he read but because he might just be insane.

There are attempts at levity through Crews coming to term with the modern world, mainly to add to Crews' almost childlike sense of wonder as he discovers "the future is now" in more than a philosophical sense. These moments reminded me of Angel and how hilarious David Boreanaz was getting frustrated at his mobile phone. Except Angel was much funnier, but if you've seen Boreanaz dance you know it is unfair to make a comparison.

The case is wrapped up in a way to show Crews knows how things work from both sides of the prison bars and the story arc for the season is mapped out for all to see. And I literally mean there is a visual aid.

Frankly, the procedural element of the show doesn't hold together very well but hopefully that is due to it becoming almost an afterthought due to cramming in as much information for the audience as possible.
Things the audience is to remember:
1) Crews likes to eat fruit.
2) He owns a mansion without any furniture in it (keep an eye out for a cave full of bats in the future).
3) He is NOT GAY (as shown as he bounds upstairs like a puppy chasing a ball whilst following a scantily clad and never to be seen again blonde).
4) He says he is not looking for revenge against those who framed him. Nuh-uh. It wouldn't be Zen. Honest.

This is really a series that will take a few episodes to get up and running but I'll certainly have another look at it when the series begins 26th of September on NBC.

It could go either way, at least it isn't on Fox so it might get a few episodes to find its feet, plus it runs after Heroes on Monday nights and we know that means it will be an instant success and will immediately get renewed.





My wife tells me I lost my memories of something called "Studio 60" along with Dreamcatchers in the aforementioned hypnosis session but I don't know what she's talking about.